As for today, all Leica DNGs are heavily cooked.Macrorit Data Wiper 6.1 + Crack Latest Free Second case is definitely better variant, also they sometimes do know some review sites, but its mostly "Leica shills" aka Huff (beats nothing I suppose).Īs for cooking RAW, well if you dont know how much Leica does it and what exactly, then you probably need to educate yourself a bit more. It didnt prevent them from having few exclusive editions of M10 behind glass and one Q or M hanging from neck. I met quite a few ppl that never even heard about DPreview.
I think some folks here live in illusion, that DPreview (or any review site) actually reflects reality of sales. Majority of them buys Leica same way they buy handbag or cellphone. Thats the thing with certain category of "rich" people, which is also target audience for Q2.Īnd no, they dont read reviews. They wouldnt buy it if it was priced reasonably. Leica is atm overpriced simply cause their target audience wants overpriced gear. Funny doctors often shoot Leica but docs have proven they know little out of the operating room. Remind me of a Volvo driving bearded pipe smoking professor which is a type I have much disdain for. In fact about as far from what I and thousands of my friends and associates are. Anything else? Its a bullcrap camera and if you go on the Leica 2 forum those people and their galleries are a joke! They are different breed alright and not my kind of people at all. I have no idea what firmware what ever it was a year ago. Got a heck of a deal on a mint Q so picked up another one but only used it about twice it is not something that works for me too many limitations and too large and heavy might as well use my a6500 or A7rIII especially for the few times I would want to take it out so sold that one I do not keep things I do not use. Overall, we were impressed by the results, despite how seemingly alarming the partially-processed images look.īought a new one could not justify the price since I knew it was outdated and a Q2 was on the horizon so I returned it. The Leica also appears to be a flatter field of view than either lens: giving a more consistent result across the image than we could achieve with the other two lenses. However, the Q2's lens gives a slightly wider angle of view than either of these other 28s, which made it difficult to examine corners of the Leica's output. We tried shooting the Leica side-by-side with the Sigma Art 28mm F1.4 and the Nikkor 28mm F1.4.
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With full corrections from Adobe (left) and uncorrected (right).Īs you can see, the details levels are comparable: almost all the difference in sharpness comes from the lens being wide-open, not from the corrections.įor anyone with concerns about whether the end result really is '28mm,' we can offer some reassurance on that front, too. We compared the edges to the un-corrected image data and didn't find a major difference (the softness it down to the optical component of the lens, not the effect of correction).Ĭrops of the left edge and lower left corners. The edges continue to sharpen-up as you stop the lens down.
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If you are curious as to how the files look without any corrections of any sort, be aware you'll need to use software like RawDigger to do so, as Adobe Camera Raw, for example, doesn't allow you to fully disable them.Įven wide-open, the lens in very sharp from the center out to around 2/3rds of the image width. If you choose to omit that aspect of the lens's design then the Leica's images show extreme vignetting in the corners and distinct geometric distortion, which may be off-putting to some people, so we took a look at the quality of the end result.
DPReview's position on digital correction has always been to focus on the end results: if they're good, then we don't worry too much about how they are achieved (we defer to the lens designers and engineers to make those decisions). The JPEGs are always corrected and the images will also be corrected in any software that fully supports its DNG files (albeit with slightly different correction). The Leica Q2's lens design includes a significant digital component.
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